Wednesday, April 24, 2013

Libraries and Archives


Call for Papers 
The Thirteenth York Manuscripts Conference: Cathedral Libraries and Archives of 
Britain and Ireland 
3-5 July 2014  

Hosted by the Centre for Medieval Studies and the Centre for Renaissance and Early Modern 
Studies at the University of York  
Organised by Brian Cummings, Linne Mooney, Bill Sherman and Hanna Vorholt.  

The York Manuscripts Conference has been held biennially or triennially since 1986 and, 
with about 50 papers, is amongst the largest conferences in Europe dedicated to manuscript 
studies. The Thirteenth York Manuscripts Conference, to be held from 3-5 July 2014 will 
have as its topic the Cathedral Libraries and Archives of England, Wales, Scotland and 
Ireland.  

The Cathedral Libraries and Archives of Britain and Ireland comprise some of the most 
remarkable and least explored collections of medieval and early modern manuscripts. While 
predictably focused on theological, liturgical, and devotional books, they also contain many 
medical, scientific, and literary sources, as well as legal and administrative documents. In 
addition to the many collections that are still in situ, others are now being looked after 
elsewhere, or have been dispersed. The conference will include papers on medieval and early 
modern manuscripts which are or were once held by the cathedrals of Britian and Ireland, 
considering their varied contents, illumination, use, and provenance; paper topics might also 
explore the formation, development, and dissolution of the libraries themselves; connections 
between different collections; their location and cataloguing within the cathedrals; or the 
distinction between cathedral libraries and cathedral archives in a historical perspective. 
Papers which shed light on lesser known treasures and collections will be especially 
welcome. We invite papers from researchers in the fields of religion, history, art history, 
musicology, history of science, literature, codicology, conservation, and other cognate 
disciplines. Papers delivered at the conference may be considered for inclusion in a volume 
of selected essays. 

The conference is organised in association with the Cathedrals Libraries and Archives 
Network (CLAN), which seeks to engender, co-ordinate, facilitate and promote research on 
the Cathedral collections, and to act as an interface between academic communities, church 
bodies, and the wider public.  

Plenary lectures will be given by Nigel Morgan (Cambridge), Christopher Norton (York), 
Rodney Thomson (Tasmania), and Magnus Williamson (Newcastle). 

Please send an abstract of no more than 300 words to YMC-2014@york.ac.uk. Deadline for 
submission of proposals is 1 July 2013.  

Monday, April 15, 2013

Describing, Analysing and Identifying Early Modern Handwriting: Methods and Issues


T. S. Eliot Lecture Theatre, Merton College, Thursday 25 April, 9.15-4. Organized by the Centre for Early Modern Studies and Merton College History of the Book Group, with the co-operation of the Bodleian Library Centre for the Study of the Book.

This one-day workshop will bring together leading early modern scholars, palaeographers and digital humanities experts from the UK, the USA, France and Italy to discuss current scholarly approaches to the description of early modern English handwriting and to explore the potential for the use of digital technologies in future collaborative work.
Although the past twenty years have seen a rapid growth in scholarship on early modern English manuscripts, the study of handwriting in the period still seems to be in its infancy. Methods of describing, distinguishing and identifying hands differ from scholar to scholar and, although the work of individual early modernists is often based on very substantial unarticulated ‘tacit knowledge’ about the dating and differentiation of script styles, little detailed work on the topic has been published. Most of the scholarship in the area focuses, in an ad hoc way, on high-status manuscripts and on the identification of hands associated with major figures. The workshop will explore the potential for future collaboration on more comprehensive and systematic ways of understanding the variation between different hands in the period. and specifically the possibilities for a new project which will aim to produce substantial publicly-available material mapping key elements in the development of English handwriting between 1500 and 1700.
There will be four sessions. Speakers in the first session will describe some of the challenges currently facing scholars working on early modern English handwriting. New ways of addressing these challenges will be described by the speakers in the second session, all of whom are involved in research applying digital technologies to palaeography. In the final formal session, a distinguished panel will discuss specific samples of early modern handwriting. Following the main sessions there will be a planning meeting to discuss potential funding bids, which will be open to any interested parties.
Registration here
Cost: £20, graduates £15

Draft Programme – subject to revision

9.15-9.30 Registration
9.30 Welcome
David Norbrook (CEMS), Julia Walworth (Librarian, Merton College)
9.35-10.45 Problems
Chair: Colin Burrow (Oxford)
Early Modern Handwriting in Theory and Practice
Jonathan Gibson (Open University)
From Hands to Heads: Chasing Elizabeth I's Scribes
Carlo M. Bajetta (Aosta)
English or French hands? The Case of Queen Elizabeth I's Letters in French
Guillaume Coatalen (Cergy-Pontoise)
10.45-11.00 Tea and coffee
11.00-12.30 Solutions
Chair: Daniel Wakelin (Oxford)
Forensic Handwriting Analysis
Tom Davis (Birmingham)
Digital Alphabets and Early Modern Hand Identification
Steven W. May (Sheffield)
Graphetic profiling and scribal identification
Simon Horobin (Oxford)
'I saw it on CSI...': Forming Digital Technology for Humanities Research
Julia Craig-McFeely (Oxford)
12.30-1.30 Lunch
1.30-2.45 Round Table
Chair: Gabriel Heaton (Sotheby's)
Peter Beal (Institute of English Studies, London)
William Poole (Oxford)
Heather Wolfe (Folger Shakespeare Library)
Henry Woudhuysen (Oxford)
2.45-3.00 Tea and coffee
3.00-4.00 Open project planning meeting
Chair: Giles Bergel (Oxford)
The workshop has been timed so that delegates can also attend one of Professor Richard Beadle’s Lyell Lectures, ‘Medieval English Literary Autographs 1: Fugitive Pieces’, in the same venue at 5pm.

AHRC Shakespearean London Theatres: Project Launch and Lecture Series


De Montfort University and the V&A Museum

Many people are aware of the plays of William Shakespeare along with his famous playhouse, the Globe on London’s Bankside. The Shakespearean London Theatres (ShaLT) Knowledge Transfer project can now tell the full story behind the vast theatrical scene that thrilled London for over fifty years during the reigns of Elizabeth I, James I and Charles I. This was an early theatreland that thrived from the 1570s to the closure of all theatres in 1642 when the civil wars began. Without the playhouses of the Shakespearean period, the modern theatreland of London’s West End would not have been possible.

This project tells the illustrated story of the playhouses, entrepreneurs, audiences, actors and dramatists that made up this founding theatrical industry. Our printed Walking Map gives the locations of all of the London theatres, offering those interested five suggested walks to visit the original London sites, all within two miles’ radius of St Paul’s.

The ShaLT project also offers further products and activities: a downloadable version of the map; a smartphone App for use with the map; an open-access website; a series of expert lectures at the V&A Museum from April to August 2013; a series of short filmed documentaries, and a printed, fully-illustrated Guide.

The project launches at the V&A Museum on Tuesday 23rd April, with further lectures on selected Sundays between April and August. 

For Further Details please visit the V&A's 'What's On' pages at http://www.vam.ac.uk/whatson

Lecture Details:

Join us for a season of expert lectures on the rich theatrical culture of Shakespearean playhouses that spread across Tudor and Stuart London from 1567–1642.

Location: The Lydia & Manfred Gorvy Lecture Theatre, V&A Museum

Discover playhouses from the Theatre at Shoreditch and Bankside’s Rose to the spectacular rise of venues like the Globe, Fortune and Blackfriars.

Presented by Shakespearean London Theatres (ShaLT)

Launch event: Tuesday 23 April, 14.00-16.30
Sunday lectures: 28 April- 25 August, 15.00–16.30

£5 per lecture, booking essential
Book all 11 and receive a 20% discount

Book online at the V&A link above or call 020 7942 2211

Outline of Lectures:

Tuesday 23 April
Why Was the Globe Round?
Introductory lecture by ShaLT Co-Investigator
Professor Andrew Gurr (Reading University)

The ways in which this affected the presentation
and hearing of the plays are considered here and
in the season of lectures to follow.

Sunday 28 April
The People's Tragic Hero: Hieronimo and the Enduring
Popularity of The Spanish Tragedy in the Early London
Theatre
Professor Peter Womack (University of East Anglia)

This lecture asks what it was about the play that
inspired audiences to love and admire the play for
generations.

Sunday 5 May
Ben Jonson, Bankside and the Blackfriars: A Biography of
London Theatre Districts in the Seventeenth Century
Professor Julie Sanders (University of Nottingham)

This lecture will provide a cultural and social geography
of the two main theatre districts, from basic theatre
architecture to the buildings and practices abutting the
theatres themselves.


Sunday 19 May
'Stuck Up and Down About the City': Playbills in
Shakespeare's London
Professor Tiffany Stern (Oxford University)

This talk will explore the way that London was 'textual',
being covered in advertisements. But what does a playbill
convey about performance - and how does it relate to plays
in print?

Sunday 2 June
Virtual Reality and London's Early Stages: Interacting with
The Rose and Boar's Head Theatres in 3-D
Professor Joanne Tompkins (Queensland University)

This lecture demonstrates the conditions for performance in
two of London's early modern theatres, namely the Rose Theatre
and the Boar's Head Theatre.

Sunday 16 June
Rich City, Poor City: The Royal Exchange and Debtors' Prison
on the Early Modern Stage
Professor Jean E. Howard (Columbia University)

This illustrated lecture will discuss how the theatre focused
on particular places in early modern London in order to make
vivid the economic changes that were transforming urban life.

Sunday 30 June
Fashioning the Face: Cosmetics, Glitter and Glamour at the
Blackfriars Theatre
Dr Farah Karim-Cooper (Shakespeare's Globe)

This lecture will explore the relationship between cosmetic
materials, candle light, spectators and the King's Men repertory
of plays in the Blackfriars theatre.

Sunday 14 July
‘When torchlight made an artificial noon’: Light and Darkness in the Early Modern Indoor Playhouse, Then and Now
Professor Martin White (Bristol University)

This illustrated lecture examines and explores how performances
in the early modern indoor playhouse were lit, and how this
lighting influenced playwrights, actors and audiences.

Sunday 28 July
The New Blackfriars:  What an Early Modern Playhouse Teaches
Contemporary Theatre
Professor Ralph Alan Cohen (Mary Baldwin College & the
American Shakespeare Centre)

This illustrated talk will describe how re-creation of
Shakespeare's indoor theatre has not only helped inform
our understanding of works written for early modern theatres,
but has also inspired new thinking about the theatrical
transaction with transformative implications for the roles
of actor, audience, and director.

Sunday 11 August
1+1=3: Why Shakespeare Collaborated with Other
Playwrights
Professor Gary Taylor (Florida State University)

Theatre as an art form originates in dialogue, and - as
plays like Timon of Athens and All is True demonstrate - the
interaction  between duelling artistic egos can inspire
theatrical experiences that neither poet could have imagined
on his own.

Sunday 25 August
Exeunt Players: Why did the Playhouses Close?
Professor Martin Butler (Leeds University)

This lecture will look at the reasons for their suppression
and explores the impact of Civil War politics on
play-going in London.

Please Note: The launch on 23rd April begins at 14.00 (with Professor Gurr's lecture at 15.00) while all other lectures start at 15.00.

Tuesday, April 09, 2013

Northern Renaissance Seminar


Writing the Renaissance North, 22 June 2013
at Sheffield Hallam University

This one-day symposium will focus on the ways in which the idea of the north was understood, imagined and represented in the writing of the early modern period. Recent work by critics such as Andrew Hadfield has shown that conceptions of the north inherited from classical understanding of the barbarian ‘other’ remained influential in the English Renaissance imagination, while persistent Catholic insubordination in Lancashire and Yorkshire and the accession to the throne of a Scottish king in 1603 meant that the north was ever present in the political consciousness of the period. We invite proposals for 20 minute papers that consider early modern literary or cultural engagements with the north, either as a geographical space or an intellectual concept. Also welcome are considerations of the significance of the north in the textual or performance afterlives of Renaissance works.
Themes to address might include, but are not limited to:
• Scotland
• Northern England
• Migration to/from the north
• Political ideals associated with the north (e.g. Republicanism)
• Modern dramatic performance
• James VI & I
• Cartography
• Barbarism
Please send 250-300 word abstracts to renaissancenorth@yahoo.co.uk.
Closing date for proposals: 26/04/2013

Job!


Senior Lecturer / Reader in English Literature

Cardiff University -Cardiff School of English, Communication and Philosophy

The Cardiff School of English, Communication and Philosophy wishes to make the following appointment, tenable from 1 September 2013.
Senior Lecturer or Reader (Grade 8). Candidates will have an established national, or emerging international, reputation for excellence in research and a commitment to teaching and to public engagement in Renaissance Literature.
Salary: 
Grade 8 - £45,941 to £56,467 per annum
For informal enquiries regarding this post, please contact Professor Carl Phelpstead (+44 (0) 29 2087 4245;PhelpsteadC@cardiff.ac.uk) or the Head of School, Professor Martin A. Kayman (+44 (0)29 2087 6049KaymanM@cardiff.ac.uk).
To work for an employer that values and promotes equality of opportunity, please visit www.cardiff.ac.uk/jobs and search for vacancy number: 854BR
Closing date: Friday, 12 April 2013

AHRC Shakespearean London Theatres


Project Launch and Lecture Series, De Montfort University and the V&A Museum

Many people are aware of the plays of William Shakespeare along with his famous playhouse, the Globe on London’s Bankside. The Shakespearean London Theatres (ShaLT) Knowledge Transfer project can now tell the full story behind the vast theatrical scene that thrilled
London for over fifty years during the reigns of Elizabeth I, James I and Charles I. This was an early theatreland that thrived from the 1570s to the closure of all theatres in 1642 when the civil wars began. Without the playhouses of the Shakespearean period, the modern theatreland of London’s West End would not have been possible.

This project tells the illustrated story of the playhouses, entrepreneurs, audiences, actors and dramatists that made up this founding theatrical industry. Our printed Walking Map gives the locations of all of the London theatres, offering those interested five suggested walks to visit the original London sites, all within two miles’ radius of St Paul’s.

The ShaLT project also offers further products and activities: a downloadable version of the map; a smartphone App for use with the map; an open-access website; a series of expert lectures at the V&A Museum from April to August 2013; a series of short filmed documentaries, and a printed, fully-illustrated Guide.

The project launches at the V&A Museum on Tuesday 23rd April, with further lectures on selected Sundays between April and August.

For Further Details please visit the V&A's 'What's On' pages at http://www.vam.ac.uk/whatson

Lecture Details:

Join us for a season of expert lectures on the rich theatricalculture of Shakespearean playhouses that spread across Tudor and Stuart London from 1567–1642.

Location: The Lydia & Manfred Gorvy Lecture Theatre, V&AMuseum

Launch event: Tuesday 23 April, 14.00-16.30
Sunday lectures: 28 April- 25 August, 15.00–16.30

£5 per lecture, booking essential
Book all 11 and receive a 20% discount

Book online at the V&A link above or call 020 7942 2211

Outline of Lectures:

Tuesday 23 April
Why Was the Globe Round?
Introductory lecture by ShaLT Co-Investigator, Professor Andrew Gurr (Reading University)
 The ways in which this affected the presentation and hearing of the plays are considered here and in the season of lectures to follow.

Sunday 28 April
The People's Tragic Hero: Hieronimo and the Enduring Popularity of The Spanish Tragedy in the Early London Theatre
Professor Peter Womack (University of East Anglia)
 This lecture asks what it was about the play that inspired audiences to love and admire the play for generations.

Sunday 5 May
Ben Jonson, Bankside and the Blackfriars: A Biography of London Theatre Districts in the Seventeenth Century
Professor Julie Sanders (University of Nottingham)
 This lecture will provide a cultural and social geography of the two main theatre districts, from basic theatre architecture to the buildings and practices abutting the theatres themselves.

 Sunday 19 May
'Stuck Up and Down About the City': Playbills in Shakespeare's London
Professor Tiffany Stern (Oxford University)
 This talk will explore the way that London was 'textual', being covered in advertisements. But what does a playbill convey about performance - and how does it relate to plays in print?

Sunday 2 June
Virtual Reality and London's Early Stages: Interacting with The Rose and Boar's Head Theatres in 3-D
Professor Joanne Tompkins (Queensland University)
 This lecture demonstrates the conditions for performance in two of London's early modern theatres, namely the Rose Theatre and the Boar's Head Theatre.

Sunday 16 June
Rich City, Poor City: The Royal Exchange and Debtors' Prison on the Early Modern Stage
Professor Jean E. Howard (Columbia University)
 This illustrated lecture will discuss how the theatre focused on particular places in early modern London in order to make vivid the economic changes that were transforming urban life.

Sunday 30 June
Fashioning the Face: Cosmetics, Glitter and Glamour at the Blackfriars Theatre
Dr Farah Karim-Cooper (Shakespeare's Globe)
 This lecture will explore the relationship between cosmetic materials, candle light, spectators and the King's Men repertory of plays in the Blackfriars theatre.

Sunday 14 July
‘When torchlight made an artificial noon’: Light and Darkness in the Early Modern Indoor Playhouse, Then and Now
Professor Martin White (Bristol University)
 This illustrated lecture examines and explores how performances in the early modern indoor playhouse were lit, and how this lighting influenced playwrights, actors and audiences.

Sunday 28 July
The New Blackfriars:  What an Early Modern Playhouse Teaches Contemporary Theatre
Professor Ralph Alan Cohen (Mary Baldwin College & the American Shakespeare Centre)
 This illustrated talk will describe how re-creation of Shakespeare's indoor theatre has not only helped inform our understanding of works written for early modern theatres, but has also inspired new thinking about the theatrical transaction with transformative implications for the roles of actor, audience, and director.

Sunday 11 August
1+1=3: Why Shakespeare Collaborated with Other Playwrights
Professor Gary Taylor (Florida State University)
 Theatre as an art form originates in dialogue, and – as plays like Timon of Athens and All is True demonstrate – the interaction  between duelling artistic egos can inspire theatrical experiences that neither poet could have imagined on his own.

Sunday 25 August
Exeunt Players: Why did the Playhouses Close?
Professor Martin Butler (Leeds University)
 This lecture will look at the reasons for their suppression and explores the impact of Civil War politics on play-going in London.

Please Note: The launch on 23rd April begins at 14.00 (with Professor Gurr's lecture at 15.00) while all other lectures start at 15.00.

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